I have some watercolor blending tips to share with you today – along with a comparison of different blues and yellows in my palette. And a sweet little stamp set from Neat and Tangled! And yes – GASP – there’s glitter on this card! EEEP! lol!
Some product may be provided by manufacturers for review and use. Compensated affiliate links may be linked at no cost to you, but this video was not sponsored or requested by any manufacturer. I appreciate your support of my work with your purchases! Full affiliate and product disclosure | My trusted partners in art
Watch the video below or click HERE to see it in HD on YouTube.
To make a full background like this, I started with glossy accents on the stars – that will act as a resist, and also add shine to the stars. Let it dry completely before painting.
I wet the entire area first, and once it was evenly wet, I began to add Indanthrone in the area around the moon. Then added the Paynes Blue Gray toward the outer edges. Paint and water “collect” at the edges of a painting, but if you leave the paper cut larger than needed (in this case as a 1/4 sheet it’s 6 x 4.5) then the edges get cut off anyway. Dry outward from the center to keep drying as even as possible.
The Nickel Azo, New Gamboge, and Aussie Red Gold create a moon with different hues in it; the Aussie is more orangey when used in a thicker way. Yellow Ochre is a nice color for simple skin tones.
Last tidbit: I used some really old glitter on the wings, so couldn’t link it – I don’t use it enough to finish a jar before its no longer sold. Ha!
- To The Stars, Neat & Tangled Clear Stamps
- To The Stars, Neat & Tangled Dies
- Ranger Accents, Glossy Accents
- Silver Brush Black Velvet Brush, Short Round 12
- Lawn Fawn Ink Pad, Jet Black
- My Daniel Smith Watercolor palette colors
- Arches Cold Press Paper
- Nickel Azo
- New Gamboge
- Aussie Red Gold
- Yellow Ochre
- Burnt Umber
- Cobalt Teal Blue
- Iridescent Electric Blue
- Indanthrone Blue
- Payne’s Blue Gray