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You are here: Home / Copic Advanced / Tips for Drawing Tree Trunk Bark Textures

Tips for Drawing Tree Trunk Bark Textures

January 17, 2022 by Sandy Allnock 6 Comments Filed Under: Copic Advanced

Sometimes I learn (the hard way!) that teaching *everything* at once might not be the smartest idea. I’ve shown how to make tree trunks a bunch of times…but most of the time there’s a fox, clouds, grass, leaves….all kinds of elements to squeeze into a tutorial. But….this new format for me is giving me space to REALLY be helpful for you to learn!

Today’s for sure one of those cases – instead of worrying about all the other details, I’ve focused just on tree bark. You can of course apply that to lots of other projects, and on the blog I’ve linked a few older tutorials you can try it out with if you don’t want to just make blocks of bark like I did.

Video

Watch the video below or click HERE to see it on YouTube.

This is the plethora of colors used – don’t worry as much about which color to try as thinking about if you need a dark, medium, or light – and whether you want the wood to be more red, or more yellow, or more neutral. That will get you a lot farther along in figuring out your color choices than just following exactly what was done with these crazy test samples.

The wood in the top right made me think about so many videos I’ve done before – I’ve seen lots of folks see my marker skip all over and end up creating dashed lines for the bark. That’s where I realized I needed to do something focusing clearly on the bark so my marker technique didn’t get in the way.

The grey bark is really zoomed in – or if you’re drawing tree bark with really big chunks of raised bark. Every tree is different, so remember that Google is your friend! Scale the texture to fit the size of the tree you’re creating.

Birch bark peels off differently than other trees – it’s in bands horizontally around the trunk, causing the dark spots to be horizontal rather than vertical.

Putting a tree into context is really where the rubber meets the road. It’s rare (or never at all?) that a tree is seen against a white background – adding any color, whether light or dark, makes a huge difference. I hope the journey of this tree helped show just how many layers and changes it might take to get to this stage!

A few tree/wood tutorials

I promised a couple extra tutorials – in case you wanted a little more info!

Simpler in pen and ink with a watercolor wash:

A tree in perspective – with snow

A light colored fence…

Flooring…

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Reader Interactions

Comments

  1. Gab says

    January 22, 2022 at 2:03 am

    This is great – thanks Sandy

    Reply
  2. Henriëtte says

    January 17, 2022 at 1:26 pm

    Fabulous tutorial Sandy! Love that you are focusing on one thing!
    Amazing how much texture and layers you put in one tree!
    This looks like its going to be a great practice video for me,
    always love making texture in something but is not always easy.
    Thank you so much, stay safe and have a wonderful day.

    Reply
  3. GiniK says

    January 17, 2022 at 6:33 am

    Ahhhh – now I get it! This is an amazing class on the bark of different kinds of trees, different lighting, different colors… This is going to be very helpful going forward – can’t wait to do that birch forest from the winter scenes class that always caused me to chicken out and skip past. I know, I know – I’m a weinie – but I’ll get better – thanks to you!

    Reply
    • Sandy Allnock says

      January 17, 2022 at 8:51 am

      Oh good, I’m glad this helps!

      Reply
  4. Debbie F says

    January 17, 2022 at 5:44 am

    Thank you for this video, Sandy. I’ve had issues with images I’ve pencil colored in the past. I would feel reasonably good about the coloring but then knew something was off with the whole. I didn’t quite know what it was, — didn’t have the language for it — but my eye knew it. It’s “context”. Sometimes my images don’t … match(?) the context of the rest of the scene. I’m still not sure how to remedy this — maybe do a very light initial pencil coloring, then work on the background and then go back and do some matching(??) — but at least now I can speak about what’s not working. 2 big things to keep working at for me: context(!!) and perspective. Whew!!!! One thing I love about art is that there’s never an arrival at some distant point — it’s always a work in progress. Thanks much!

    Reply
    • Sandy Allnock says

      January 17, 2022 at 8:51 am

      Context is everything – we don’t see anything in the world around us with just white around it! 🙂

      Reply

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